15.06.2024SONIAKH (Khomchenko and Buradzhyieva): "In the first months of the invasion, we had to choose our words, but now we want to be honest"
13.06.2024«Кіно — це простір для людей, в яких немає іншого простору»: Розмова з SINEMA TRANSTOPIA
20.03.2024Oleksandra Pogrebnyak and Dmytro Chepurnyi on apartment exhibitions, curating with a baby, and stories against the backdrop of war
25.12.2023“War is not about understanding, it's about feeling”: Ukrainian artist Valeria Tarasenko on wartime art and its perception in the West
22.12.2023“I Draw Many Words. He Draws Only One,” Alevtina Kakhidze on a Productive Dispute With Dan Perjovschi and Exhibitions About the War Abroad
12.12.2023Under the Sign of Return: Pain, Fear, and History in the Art of Sana Shahmuradova
05.12.2023Without soil: artist Katia Aliynyk on her ongoing dialog with occupied Luhansk
20.11.2023"God is diversity": How the artist Tamara Turliun makes paper cutouts and paints a faceless god
07.11.2023Red is blood, red is ore: artist Margarita Polovinko on pain on paper, Kryvyi Rih and automatic drawing
11.10.2023Artist talk with Maria Leonenko about her practice and performance Where Are You Now?
21.08.2023Dan Perjovschi on his art practice, documenta 15, and support for Ukraine
17.07.2023Aircraft and Deaths. Artist talk with Maksym Zatsarinny
13.07.2023Kateryna Aliynyk & Natasha Chychasova. How the artbook Collective Fantasies and Eastern Resources was created.
30.03.2023Meanwhile at the Khanenkos'. Conversation about the museum in wartime, emptiness, and love.
04.01.2022Pascal Gielen and Oleksandr Sushynsky in conversation about utopias and fake Newness
23.08.2021Andy Kassier: “If I can make people happy when they just look at me, isn't it great?”
12.03.2021Mykola Ridnyi: “We got used that future is what hasn’t happened, but it’s not totally fair to the future”
08.01.2021What is TIAB? Several points from The Immigrant Artist Biennial team
13.11.2020Diethard Leopold on experience of working with the family collection, curatorial practice and new challenges of the Leopold Museum in Vienna
07.08.2020Artist Kateryna Lysovenko on Victims, Violence and Art Education
17.03.2017Vlada Ralko: “It is important for me to turn the context into a background”
16.12.2016Artem Volokitin: «I am changing – so is my painting»